Hal Leonard Recording Method – Book 2: Instrument & Vocal Recording – 2nd Edition

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Hal Leonard Recording Method - Book 2: Instrument & Vocal Recording - 2nd Edition

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  • Audio Examples

      • Audio Example 1-1 Voice Recorded with and without Studio Traps.wav
      • Audio Example 1-2 Acoustic Guitar with and without Studio Traps.wav
      • Audio Example 1-3 Distant Voice and Guitar with and without Tube Traps.wav
      • Audio Example 2-1 Mic at the Center of the Speaker.wav
      • Audio Example 2-2 Mic at the Outer Edge of the Speaker.wav
      • Audio Example 2-3 Condenser Mic Seven Feet from the Amp.wav
      • Audio Example 2-4 Close-Miking the Amp.wav
      • Audio Example 2-5 Combining the Close and Distant Mics.wav
      • Audio Example 2-6 Multiple-Room Miking.wav
      • Audio Example 2-7 Combining Miked and Direct Signals.wav
      • Audio Example 2-8 Miking the Strings and the Amp.wav
      • Audio Example 2-9 Single-Coil Pickup.wav
      • Audio Example 2-10 Double-Coil Pickup.wav
      • Audio Example 2-11 Single-Coil Stratocaster.wav
      • Audio Example 2-12 Double-Coil Les Paul.wav
      • Audio Example 2-13 Hollow-Body Electric Jazz Guitar.wav
      • Audio Example 2-14 No Compression.wav
      • Audio Example 2-15 With Compression.wav
      • Audio Example 2-16 Comparison of Distortion Sounds.wav
      • Audio Example 2-17 The Fender, Marshall, Roland JC-120, and Vox Sounds.wav
      • Audio Example 2-18 Boost and Cut 100 Hz.wav
      • Audio Example 2-19 Boost and Cut 200 Hz.wav
      • Audio Example 2-20 Boost and Cut 300 Hz.wav
      • Audio Example 2-21 Boost and Cut 550 Hz.wav
      • Audio Example 2-22 Boost and Cut 4 kHz.wav
      • Audio Example 2-23 Boost and Cut 10 kHz.wav
      • Audio Example 2-24 The 250-ms Delay.wav
      • Audio Example 2-25 The 62.5-ms Delay.wav
      • Audio Example 2-26 The 23-ms Double.wav
      • Audio Example 2-27 The Live Double.wav
      • Audio Example 2-28 Chorus.wav
      • Audio Example 2-29 Phase Shifter.wav
      • Audio Example 2-30 Multiple Effects.wav
      • Audio Example 2-31 Hall Reverb.wav
      • Audio Example 2-32 Adjusting Predelay.wav
      • Audio Example 2-33 Conflicting Guitars.wav
      • Audio Example 2-34 Equalized for Mono.wav
      • Audio Example 3-1 Thin Pick.wav
      • Audio Example 3-2 Thick Pick.wav
      • Audio Example 3-3 Alternate Tunings.wav
      • Audio Example 3-4 Acoustic Guitar Direct In.wav
      • Audio Example 3-5 Miking the Acoustic Guitar.wav
      • Audio Example 3-6 Acoustic Guitar Recorded in Different Spaces.wav
      • Audio Example 3-7 The Steel String Acoustic Guitar.wav
      • Audio Example 3-8 The Nylon String Classical Guitar.wav
      • Audio Example 3-9 Microphone over the Sound Hole.wav
      • Audio Example 3-10 Microphone behind the Bridge.wav
      • Audio Example 3-11 Microphone over the Neck.wav
      • Audio Example 3-12 Over the Neck, Near the Sound Hole.wav
      • Audio Example 3-13 Three Feet Away.wav
      • Audio Example 3-14 Smaller Room.wav
      • Audio Example 3-15 The Bathroom.wav
      • Audio Example 3-16 No Compression.wav
      • Audio Example 3-17 Compressed.wav
      • Audio Example 3-18 Acoustic Guitar.wav
      • Audio Example 3-19 Adding the Double Track.wav
      • Audio Example 3-20 Cut 150 Hz.wav
      • Audio Example 3-21 Boost 12 kHz.wav
      • Audio Example 3-22 Cut 300 Hz.wav
      • Audio Example 3-23 Boost 4 kHz.wav
      • Audio Example 3-24 Boost and Cut 2 kHz.wav
      • Audio Example 3-25 Chamber Reverb.wav
      • Audio Example 4-1 A Poorly Tuned Tom.wav
      • Audio Example 4-2 Mic in Front.wav
      • Audio Example 4-3 Mic over the Drummer?s Head.wav
      • Audio Example 4-4 Overhead.wav
      • Audio Example 4-5 Eight Feet Away.wav
      • Audio Example 4-6 One Mic over the Kit, One in the Kick.wav
      • Audio Example 4-7 Stereo X-Y.wav
      • Audio Example 4-8 Head Baffle.wav
      • Audio Example 4-9 Three Microphones.wav
      • Audio Example 4-10 X-Y Overhead, One in the Kick.wav
      • Audio Example 4-11 Snare, Kick, and X-Y.wav
      • Audio Example 4-12 Snare, Kick, Toms, and X-Y.wav
      • Audio Example 4-13 Cut 300 Hz.wav
      • Audio Example 4-14 Cut 300 Hz, Boost 80 Hz and 4 kHz.wav
      • Audio Example 4-15 Kick Attack.wav
      • Audio Example 4-16 Kick Tone.wav
      • Audio Example 4-17 Kick Three Inches Away.wav
      • Audio Example 4-18 Kick 12 Inches Outside.wav
      • Audio Example 4-19 Two Mics on the Snare Drum.wav
      • Audio Example 4-20 Lots of Toms.wav
      • Audio Example 4-21 X-Y Panned Hard.wav
      • Audio Example 4-22 Panning the Hi-Hat.wav
      • Audio Example 4-23 Hi-Hat Miked at the Outer Edge.wav
      • Audio Example 4-24 Hi-Hat Miked at the Bell.wav
      • Audio Example 4-25 Adjusting the Gate.wav
      • Audio Example 4-26 Reverb on the Gated Snare.wav
      • Audio Example 4-27 Bypassing the Gate.wav
      • Audio Example 5-1 Buzzes and Clacks.wav
      • Audio Example 5-2 The Controlled Performance.wav
      • Audio Example 5-3 Dull Bass Strings.wav
      • Audio Example 5-4 Boiled Strings.wav
      • Audio Example 5-5 Bass through the Passive DI.wav
      • Audio Example 5-6 Bass through the Active DI.wav
      • Audio Example 5-7 Bass 1- P-Bass.wav
      • Audio Example 5-8 Bass 2- Inexpensive Bass.wav
      • Audio Example 5-9 Bass 3- Custom P-Bass.wav
      • Audio Example 5-10 Bass 4- Active Electronics.wav
      • Audio Example 5-11 Finger Plucking.wav
      • Audio Example 5-12 Thumb Plucking.wav
      • Audio Example 5-13 The Felt Pick.wav
      • Audio Example 5-14 The Plastic Pick.wav
      • Audio Example 5-15 The Plastic Pick, Muted.wav
      • Audio Example 5-16 Plucking by the Bridge.wav
      • Audio Example 5-17 Plucking by the Neck.wav
      • Audio Example 5-18 Plucking between the Neck and the Bridge.wav
      • Audio Example 5-19 Bass Cabinet Miked at the Center.wav
      • Audio Example 5-20 Bass Cabinet Miked at the Outer Edge.wav
      • Audio Example 5-21 The Direct Bass Sound.wav
      • Audio Example 5-22 The Miked Bass Speaker.wav
      • Audio Example 5-23 Blending the Direct and Miked Sounds.wav
      • Audio Example 5-24 Non-Compressed Bass.wav
      • Audio Example 5-25 Compressed Bass.wav
      • Audio Example 5-26 Snaps Not Limited.wav
      • Audio Example 5-27 Limited Snap.wav
      • Audio Example 5-28 Mix with 50 Hz Boosted on the Bass Track.wav
      • Audio Example 5-29 Mix without 50 Hz Boosted on the Bass Track.wav
      • Audio Example 5-30 Alternating between 5-28 and 5-29.wav
      • Audio Example 5-31 Sweeping from 80 Hz to 150 Hz.wav
      • Audio Example 5-32 Sweeping the Cut between 250 Hz and 500 Hz.wav
      • Audio Example 5-33 Sweeping the Boost between 250 Hz and 500 Hz.wav
      • Audio Example 5-34 Boost Then Cut at 1000 Hz.wav
      • Audio Example 5-35 Sweeping the Boost between 2 kHz and 3 kHz.wav
      • Audio Example 5-36 Panning the Bass.wav
      • Audio Example 5-37 Adding Reverb to the Bass.wav
      • Audio Example 5-38 Solo Bass with Reverb.wav
      • Audio Example 5-39 The Stereo Bass Sound.wav
      • Audio Example 5-41 The Bass with Chorus.wav
      • Audio Example 5-40 Adjusting Bass Delay for Mono Compatibility.wav
      • Audio Example 5-42 Stereo Synth Bass.wav
      • Audio Example 5-43 Synth Bass Direct In.wav
      • Audio Example 5-44 Synth Bass Miked.wav
      • Audio Example 5-45 Blending Direct and Miked Synth Bass.wav
      • Audio Example 5-46 Bass Boosted at 40 Hz.wav
      • Audio Example 5-47 Bass Boosted at 80 Hz.wav
      • Audio Example 5-48 Bass Boosted at 160 Hz.wav
      • Audio Example 5-49 The Previous Three Audio Examples.wav
      • Audio Example 5-50 Bass Sound Recorded at 0 VU.wav
      • Audio Example 5-51 Bass Sound Recorded at -3 VU.wav
      • Audio Example 5-52 Switching between Stereo and Mono.wav
      • Audio Example 5-53 Bass Panned to 9-00 and 3-00.wav
      • Audio Example 6-1 Immediate Reflections.wav
      • Audio Example 6-2 Voice in Medium-Sized Room.wav
      • Audio Example 6-3 Voice in Small Coat Closet.wav
      • Audio Example 6-4 Voice in Large Room.wav
      • Audio Example 6-5 Moving-Coil Mic from Three Inches.wav
      • Audio Example 6-6 Moving-Coil Mic from 12 Inches.wav
      • Audio Example 6-7 Ribbon Mic from Three Inches.wav
      • Audio Example 6-8 Ribbon Mic from 12 Inches.wav
      • Audio Example 6-9 Vocal Melody from Six Inches (Condenser).wav
      • Audio Example 6-10 Vocal Melody from 12 Inches (Condenser).wav
      • Audio Example 6-11 The Problem Plosive.wav
      • Audio Example 6-12 No Wind Screen.wav
      • Audio Example 6-13 Foam Wind Screen.wav
      • Audio Example 6-14 Nylon over an Embroidery Hoop.wav
      • Audio Example 6-15 Pencil across the Diaphragm.wav
      • Audio Example 6-16 Two Inches from the Mic with No Bass Roll-Off.wav
      • Audio Example 6-17 Two Inches from the Mic with 80-Hz Bass Roll-Off.wav
      • Audio Example 6-18 Two Inches from the Mic with 160-Hz Bass Roll-Off.wav
      • Audio Example 6-19 Moving-Coil from Two Inches.wav
      • Audio Example 6-20 Moving-Coil from Six Inches.wav
      • Audio Example 6-21 Moving-Coil from 15 Inches.wav
      • Audio Example 6-22 Cardioid Condenser Mic from Eight Inches.wav
      • Audio Example 6-23 Hypercardioid Condenser Mic from Eight Inches.wav
      • Audio Example 6-24 Omnidirectional Condenser Mic from Eight Inches.wav
      • Audio Example 6-25 Bidirectional Condenser Mic from Eight Inches.wav
      • Audio Example 6-26 Vocal without Compression.wav
      • Audio Example 6-27 Vocal with 4-1 Compression.wav
      • Audio Example 6-28 Exaggerated Sibilance.wav
      • Audio Example 6-29 Out-of-Tune Vocal.wav
      • Audio Example 6-30 Automatic Vocal Retuning.wav
      • Audio Example 7-1 Stereo Grand Piano.wav
      • Audio Example 7-2 One Condenser Mic from Three Feet.wav
      • Audio Example 7-3 One Mic from Three Inches.wav
      • Audio Example 7-4 One Mic Six Feet from the Open Piano Lid.wav
      • Audio Example 7-5 Two Condenser Mics from about Eight Inches.wav
      • Audio Example 7-6 Two Condenser Mics by the Hammers.wav
      • Audio Example 7-7 Two Condenser Mics Farther Apart.wav
      • Audio Example 7-8 X-Y Configuration.wav
      • Audio Example 7-9 Stereo Sound with Two Mics 180 Degrees Out of Phase.wav
      • Audio Example 7-10 Mono Sound with Two Mics 180 Degrees Out of Phase.wav
      • Audio Example 7-11 Configuration 1 in Stereo, Then Mono.wav
      • Audio Example 7-12 Configuration 2 in Stereo, Then Mono.wav
      • Audio Example 7-13 Configuration 3 in Stereo, Then Mono.wav
      • Audio Example 7-14 Two Mics Blended to Mono.wav
      • Audio Example 7-15 Mono Track Panned Left with an 11-ms Delay Panned Right.wav
      • Audio Example 7-16 Flanged Piano.wav
      • Audio Example 7-17 One Mic over the Treble Strings and One Mic over the Bass Strings.wav
      • Audio Example 7-18 Mics 18 Inches from the Strings.wav
      • Audio Example 7-19 Both Mics Six Inches behind the Hammers.wav
      • Audio Example 7-20 Mics over the Hammers but Farther Apart.wav
      • Audio Example 7-21 Stereo X-Y Configuration Aiming into the Piano.wav
      • Audio Example 7-22 X-Y with the Lid Lower and a Blanket over the Opening.wav
      • Audio Example 7-23 Solo Piano Sound.wav
      • Audio Example 7-24 Cutting the Lows from 60 Hz to 150 Hz.wav
      • Audio Example 7-25 Boosting 4 kHz.wav
      • Audio Example 7-26 Compressing the Piano.wav
      • Audio Example 7-27 Exciting the Piano.wav
      • Audio Example 7-28 Hall Reverb, 75-ms Predelay and 2.5-Second Decay Time.wav
      • Audio Example 7-29 Plate Reverb with 35-ms Predelay and 0.6-Second Decay Time.wav
      • Audio Example 7-30 Room Reverberation Delay.wav
      • Audio Example 7-31 300-ms Delay.wav
      • Audio Example 7-32 The Rhodes and the Auto Panner.wav
      • Audio Example 7-33 Rhodes with Hall Reverb.wav
      • Audio Example 7-34 The Original Rhodes.wav
      • Audio Example 7-35 The Tine Sound.wav
      • Audio Example 7-36 Electric Piano with Phase Shifter.wav
      • Audio Example 7-37 Flanged Electric Piano.wav
      • Audio Example 7-38 Chorused Electric Piano.wav
      • Audio Example 7-39 Distorted Electric Piano.wav
      • Audio Example 7-40 Solo Rhodes Sound.wav
      • Audio Example 7-41 Cut the Lows, Boost the Highs.wav
      • Audio Example 7-42 Excited Rhodes.wav
      • Audio Example 7-43 Harmonizer on the Rhodes.wav
      • Audio Example 7-44 Subtle Harmonizer on the Rhodes.wav
      • Audio Example 7-45 The Rhodes with EQ, Room, Hall, Flanger, and Harmonizer.wav
  • Video Examples