Hal Leonard Recording Method – Book 1: Microphones & Mixers – 2nd Edition

All audio and video ℗ 2011 HAL LEONARD CORPORATION
All Rights Reserved. Unauthorized duplication is prohibited by law.

Hal Leonard Recording Method - Book 1: Microphones & Mixers - 2nd Edition

Click the links below to access the supplemental media for Hal Leonard Recording Method - Book 1: Microphones & Mixers - 2nd Edition.

  • Audio Examples

      • Audio Example 1-1 The Effect of EQ.wav
      • Audio Example 2-1 High-Impedence Instrument....wav
      • Audio Example 2-2 Low-Impedence Mic.wav
      • Audio Example 2-3 Mic on Acoustic Guitar....wav
      • Audio Example 2-4 Vocal Using Common Mic....wav
      • Audio Example 2-5 AES-EBU to DAT Using....wav
      • Audio Example 2-6 S-PDIF to DAT Using....wav
      • Audio Example 2-7 Analog Out to DAT....wav
      • Audio Example 2-8 ADAT Lightpipe into Digital....wav
      • Audio Example 2-9 ADAT Lightpipe into Digital....wav
      • Audio Example 2-10 60-Cycle Hum.wav
      • Audio Example 3-1 Comparison of Three Different....wav
      • Audio Example 3-2 Bass Guitar Through a....wav
      • Audio Example 3-3 Bass Guitar Through a....wav
      • Audio Example 3-4 Direct Box Comparisons.wav
      • Audio Example 4-1 The Overdriven Input.wav
      • Audio Example 4-2 Attenuator Adjustment.wav
      • Audio Example 4-3 Phase Reversal.wav
      • Audio Example 4-4 Proper Input Levels.wav
      • Audio Example 4-5 Low Input Levels Resulting....wav
      • Audio Example 4-6 High Input Levels Causing....wav
      • Audio Example 4-7 Dry Guitar.wav
      • Audio Example 4-8 Dry Guitar.wav
      • Audio Example 4-9 Reverb Only.wav
      • Audio Example 4-10 Blending Wet and Dry.wav
      • Audio Example 4-11 Direct Guitar.wav
      • Audio Example 4-12 The Miked Amp.wav
      • Audio Example 4-13 Combining Direct and Miked....wav
      • Audio Example 4-14 Synth Sound A.wav
      • Audio Example 4-15 Synth Sounds B and....wav
      • Audio Example 4-16 Synth Combination.wav
      • Audio Example 4-17 Bouncing Multiple Instruments to....wav
      • Audio Example 4-18 Soloing.wav
      • Audio Example 4-19 Boost Then Cut 60 Hz.wav
      • Audio Example 4-20 Boost Then Cut 120 Hz.wav
      • Audio Example 4-21 Boost Then Cut 240 Hz.wav
      • Audio Example 4-22 Boost Then Cut 500.wav
      • Audio Example 4-23 Boost Then Cut 1 kHz.wav
      • Audio Example 4-24 Boost Then Cut 2 kHz.wav
      • Audio Example 4-25 Boost Then Cut 4 kHz.wav
      • Audio Example 4-26 Boost Then Cut 8 kHz.wav
      • Audio Example 4-27 Boost Then Cut 16 kHz.wav
      • Audio Example 4-28 Bass (Flat).wav
      • Audio Example 4-29 Bass (Cut 250 Hz).wav
      • Audio Example 4-30 Guitar (Flat).wav
      • Audio Example 4-31 Guitar (Boost 250 Hz).wav
      • Audio Example 4-32 Guitar and Bass Together.wav
      • Audio Example 4-33 Flat.wav
      • Audio Example 4-34 Highs (Above 3.5 kHz).wav
      • Audio Example 4-35 Mids (250 Hz to 3.5 kHz).wav
      • Audio Example 4-36 Lows (Below 250 Hz).wav
      • Audio Example 4-37 Flat (Reference).wav
      • Audio Example 4-38 Brilliance.wav
      • Audio Example 4-39 Presence.wav
      • Audio Example 4-40 Upper Midrange.wav
      • Audio Example 4-41 Lower Midrange.wav
      • Audio Example 4-42 Bass.wav
      • Audio Example 4-43 Sub-Bass.wav
      • Audio Example 4-44 Simple Stereo Mix.wav
      • Audio Example 4-45 Stereo Mix in Mono.wav
      • Audio Example 5-1 Several Mics on Acoustic Guitar.wav
      • Audio Example 5-2 Acoustic Gtr. with Multiple Polar Patterns.wav
      • Audio Example 5-3 Demonstration of Mic Transient Response.wav
      • Audio Example 5-4 X-Y Configuration.wav
      • Audio Example 5-5 Spaced Omni Pair.wav
      • Audio Example 5-6 Spaced Omni Pair with a Baffle.wav
      • Audio Example 5-7 The Crossed Bidirectional Configuration.wav
      • Audio Example 5-8 Mid-Side Configuration.wav
      • Audio Example 6-1 Ss and Ts.wav
      • Audio Example 6-2 Exaggerated Ss and Ts.wav
      • Audio Example 6-3 Acoustic Guitar - No Compression.wav
      • Audio Example 6-4 Acoustic Guitar - Variations in....wav
      • Audio Example 6-5 Acoustic Guitar - Long and....wav
      • Audio Example 6-6 Acoustic Guitar - Ratios From....wav
      • Audio Example 6-7 Acoustic Guitar - Adjusting the....wav
      • Audio Example 6-8 Acoustic Guitar - Adjusting the....wav
      • Audio Example 6-9 Vocal Compressed by 6 dB.wav
      • Audio Example 6-10 Making Up Gain ....wav
      • Audio Example 6-11 No Compression.wav
      • Audio Example 6-12 3-dB Gain Reduction.wav
      • Audio Example 6-13 6-dB Gain Reduction.wav
      • Audio Example 6-14 9-dB Gain Reduction.wav
      • Audio Example 6-15 Pumping and Breathing.wav
      • Audio Example 6-16 More Pumping and Breathing.wav
      • Audio Example 6-17 Full Range Recording Through....wav
      • Audio Example 6-18 Full Range Recording Through....wav
      • Audio Example 6-19 Sonic Comparison of Tube....wav
      • Audio Example 6-20 Guitar - No Gate.wav
      • Audio Example 6-21 Guitar - Gated.wav
      • Audio Example 6-22 Hi-Hat - No Expander.wav
      • Audio Example 6-23 Hi-Hat - Expander.wav
      • Audio Example 7-1 250 ms Slapback.wav
      • Audio Example 7-2 50 ms Slapback.wav
      • Audio Example 7-3 Repeating Delays.wav
      • Audio Example 7-4 11 ms Vocal Delay.wav
      • Audio Example 7-5 The LFO.wav
      • Audio Example 7-6 Extreme Speed and Depth.wav
      • Audio Example 7-7 Phase Shifter.wav
      • Audio Example 7-8 Flanger.wav
      • Audio Example 7-9 Chorus.wav
      • Audio Example 7-10 Inverting Phase.wav
      • Audio Example 7-11 Stereo Chorus.wav
      • Audio Example 7-12 Reverberation Variations.wav
      • Audio Example 7-13 Reverberation Parameters.wav
  • Video Examples

      • Video Example 1-1 Comparison of Wavelengths.m4v
      • Video Example 1-2 Harmonics-How They Combine to Create Tonal Character.m4v
      • Video Example 3-1 VU and Peak Meter from the Same Sound Source.m4v
      • Video Example 4-1 Demonstration of Trim Adjustment.m4v
      • Video Example 4-2 Bouncing Digital Workstation Tracks.m4v
      • Video Example 4-3 Demonstration of Equalizer Changes on Various Sounds.m4v
      • Video Example 4-4 Demonstration of Parametric Q and Sweep.m4v
      • Video Example 5-1 Several Different Microphones on Acoustic Guitar.m4v
      • Video Example 5-2 Demonstration of Polar Pattern Changes.m4v
      • Video Example 5-3 Demonstration of Proximity Effect.m4v
      • Video Example 6-1 Demonstration of Compression and Makeup Gain.m4v
      • Limiter Settings.m4v
      • Video Example 6-3 Meters Compared During Limiting.m4v
      • Video Example 7-1 Various Acoustic Space Recordings.m4v